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- The Dragon
A History of the Liminal Library
Its creation, expansion, and habitation (!?)
by Salme, The Sword-Saint · May 12, 2026 · view history →
- The initial creation of the library occurred while Aurelius and I were at the Zi…
- This is what our Narrator had to say after I had a run-in with the Spicy Sun and…
- Guest book
- Viewing Screen
- Creating Jory the Raven, our Liminal Librarian + the discovery of the secret lib…
- Exploring the recently-discovered library annex
- On adding the receptacles of memory (the folios, Salme! You can just call them f…
- On creating a folio
- And another description
- BBS Online
The initial creation of the library occurred while Aurelius and I were at the Ziggurat between Almachadta and Samudra. I’ve picked out the critical memories for this moment. At least, I think I haven’t left anything out of the memories that are available to me. Aurelius has since added his own so I believe this folio is, for the moment, complete.
: “Hmm…” He shrugs after a moment and then flicks his hand, and a slab of rectangle, mostly white opal with rounded down edges appears in it and is then laid down on the ground. “A… tablet should suffice, as a storage and reading device.” Something in the tone of his voice suggest he’s making a joke, but Goddess knows what it is.
ꙮ The piece of stone is irrica, not opal - you must have picked it up at the Kesset marketplace, and thought it might be useful for fiendcraft.
: “I think…” He runs a finger along the surface, tracing various symbols into it, alternating between tenebrous and flourishing energy. “We can probably have it pull energy from the light of suns and stars when it’s not in use like this, a rechargeable energy source in lieu of a fuel source… And then on the other side,” He flips it over after finishing, “You do your thing to reproduce the webs.”
ꙮ Irrica, like opal, seems white when you look at it from afar, but contains every colour in shimmering iridescence. Aurelius draws out the -green- in the irrica, and it spiderwebs across the back of the tablet, forming intricate curlicues that resolve into the shapes of leaves, webbed together with impossibly thin lines of jet black that absorb a very, very particular kind of light. What a curious choice. Salme?
reaches out and presses her palm into the font of the tablet and she thinks of roots, rhizomes, mycelia, reaching, touching, connecting–all of it in a web, a snarl of string, at its best a tapestry, and then a library. But she also thinks of walls, of boundaries, of what-if-they-were-not, what if there was not soil or roots to reach through but instead you could make a fold in space, in time, in thought, and be precisely where you’d like to be.
ꙮ Salme presses her palm against the tablet’s surface, and she, too, draws roots and tendrils of green out of the irrica, tendrils that were already there, and then she -adds- something which was -not-, something which you cannot see but which you know exists. ⁂
ꙮ For just a moment, it feels like there’s something else watching, too. ⁂
ꙮ And then there’s- an inversion, movement in a direction that is not one of the ones with which you are familiar; it is not entirely unlike diving into the Mask, but it is not diving into the Mask. More stepping through an invisible door along an unknown axis into: ⁂
ꙮ A thirteen-sided room made of iridescent irrica shot through with green flourishes and black strands; the abstract concept of bookshelves- solid blue with white chalk lines vaguely defining their contours- line most of the walls. If you tried to place anything in one of the shelves, you would not be successful. There are tasteful couches in an Almachadtan style in the centre of the room surrounding a central table, also made of irrica; a few lecterns in some of the corners of the room. It’s spacious enough that six people could walk around and exist comfortably in it. One of the thirteen walls is, instead of a wall, a shimmering soap-bubble - you’re both standing in front of that one looking into the room. ⁂
ꙮ If you look up, the ceiling is made of glass panes, and through each of the glass panes shine one of the Constellations in bright jewel tones. The thirteenth and largest of the panes shines with the light of the Sun. This is a light that neither of you have ever experienced before. It is soft, and warm, and profoundly and unutterably comforting. 🙧
This is what our Narrator had to say after I had a run-in with the Spicy Sun and created the ability to switch between panes.
ꙮ A window, in a sufficiently liminal space, and this, here - this Sealed Space created on the Obsidian Road - is a sufficiently liminal space, could look out onto different vantage points at the same time. Perhaps if you and Aurelius had both blinked, simultaneously, while you were inside the room the first time, the light would have changed. Perhaps it wouldn’t have done. You do know that the window is now observationally locked: Aurelius designed the window to gather the light of “stars and suns”, and dutifully and like a Fiend it has done so. One light comforts and the other scours; neither are -familiar- to you, although there is something vaguely like the Centrelight about the light pouring in right now, or the Centrelight is vaguely like it. ⁂
ꙮ You also see the contours of a Strange Path which this light might take as it passes through the twelve constellations and one empty space, were it to do so. You can -feel- the echo of it in what you see when you close your eyes.
takes a step back from the portal, tilts his head to the side, then steps back close to it and begins to draw small runes into the frame around the gateway.
: “So! The runes?” He folds an arm across his midsection, supporting a rested elbow that cranes a pointed finger. “What’s their purpose that a sign won’t provide?”
: “So, it didn’t occur to me when we were building this, but like… it’s. Comically easy to actually get inside this thing, right? Despite us wanting to store memories in here? And seeing all these groups of one or two wander in and out all night and morning made me realize… we definitely need to be able to track who’s coming and going from this place, and potentially even develop a black list for it.”
: “Or a white list. One of the two. Either way.”
ꙮ That does, for what it’s worth, feel like a thing it’d be trivially easy to add.
places one hand against the wall where the runes are, and begins to channel pellucid, tenebrous, and radiant gnosis into them in short sequences. And as he’s doing that, he point his uses his other hand to run it over the space where nothing used to be there, but slowly a small pedestal along with a book and pen attached to the pedestal are attached begin to shimmer into existence.
laughs as the energy stops flowing from his hands. The runes all blink a few times in a complex sequence before settling on a dull glow that’s nearly impossible to notice, and the pedestal, book and pen fully take shape. “Good luck convincing Salme that.”
is seated on one of the many available chairs, with the tablet resting on top of the desk when Caion arrives. He’s currently leaned over it, using something that looks halfway between a pen and a knife to… carve some kind of circle into the top of it? Though rather than simply scratching the stone, it’s immediately filling it with a dull radiant gnosis.
: “Hallo, Aurelius! Is now a good time? I brought Synthesis along, they wanted to take a look at the work you’d done, but if you’re busy, we can stop back in later.”
: “Oh, no I was basically done. And more eyes on it to make sure it works are always welcome.” A few more notches here and there, and he’s finished. There’s now a large circle covering the center of the table, with a smaller circle inside of that which is a bit bolder and filled in. Small lines surround the larger circle, moving outward from it. Something about it gives you a strong impression of an eyeball radiating power, even if it only vaguely looks like one.
takes a few steps closer, and glances at the tablet. “Ah. Yes. More eyes on it to make sure it works. I get it.” He says it as solemnly as he -possibly- can.
: “That makes that easier, I suppose.” And he follows behind. Inside: The Library is… slightly different than Caion remembers it? For one, the pedestal with the guest book near the entrance is there now (Aurelius double checks it when entering to confirm if Caion and Synthesis’ names are in the same blue as Archie). And on the far wall, the chalky bookshelves have been removed and replaced by an enormous crystalline pane that looks like a mirror. Only it doesn’t reflect your image, but instead, seems to show a view of the outside world immediately surrounding the tablet instead.
ꙮ Additionally, one of the walls of the Liminal Library has a carefully-constructed, well-crafted setting where a single pearl might go. There’s some haziness around the rest of the wall, but the setting for a pearl is remarkably clear.
Creating Jory the Raven, our Liminal Librarian + the discovery of the secret library annex.
ꙮ The walls are getting a little crowded, in the Liminal Library. Well, only a little - there’s the wall that forms the threshold, the wall that observes the world around the tablet, the wall that can’t be looked at directly. I suppose that’s only three walls to not be covered in odd little blueprints of bookshelves, out of thirteen. (Honestly, with two of the walls clear it feels, if anything, like there’s a little more room to move around in the Sealed Space.)
slips into the Library, carrying two comically large bags of … stuff … hooked over each shoulder. She stops at the guestbook to add a little note—not up to anything, I promise—and then heads for the wall where the Key-and-Gate shines.
carefully sets each bag down, and then kneels. She knows exactly what she wants to do, she just needs to exert her will strongly enough.
ꙮ The stars shine brightly, overhead.
spreads a wide square of lavender cloth on the ground in front of her, and then sets a heavy, round bowl in the center. Into it, she pours thick, oil-slick black india ink, enough that the liquid almost crests over the top edge of it, but doesn’t.
ꙮ The light of the Key-and-Gate shimmers on the surface of the ink.
dips one, two, three beautiful dark feathers into the ink bowl, careful not to spill a drop, and then draws a triangle in ink around the bowl, using each feather to brush one edge of the triangle onto the cloth at each point. She sets each feather radiating inward at each angle, and then pulls out three more things—a small hand harp strung with crystal wire, a sheaf of thick paper crowded with writing, and a pair of stylized green-tinted glasses. The last was a commission. The Scholar-Emissary’s name really does get you a lot around here.
ꙮ It’s true, it does.
sets one item at the point in each triangle and then stands, looking down at her handiwork. Then she stands and holds out her hand, draws up gnosis—flourishing, liminal, a bit of radiant, and yes, a spike of pellucid, because if she had to pick, it would be pellucid. The corners of the cloth draw up, the items folding impossibly into them, apart but separate. The edges of the cloth twist together, reaching for her hand, and she looses the flourishing and the draws more heavily on the pellucid and the radiant, thinking of structure, stillness, shells, until sitting before her is a perfect, beautiful, two-foot-high lavender egg.
crouched down in front of it. “Did you know, that if a chick cannot crack the shell, it will die without being born?” She taps the outside of the shell with a fingernail and a brief, certain application of burning gnosis. “You are the chick, and the world is out here, waiting. Wake up.” She taps the shell again with another flood of burning gnosis, a hope, and a certainty.
ꙮ There is a scratching, and then an insistent scratching, and then something which is more than simply an insistent scratching and is, rather, the sound of a fiend-shell splintering, a bright crystal-shattering sound and a peal of very tiny bells. And then there is a curved beak, and then the shell splits entirely, and then there is a lavender-feathered raven, around two feet tall, with ink-slick dark eyes. His talons look like he could hold a pen, if he were more careful, or perhaps if one nearby were less careful with theirs. His mouth opens, and harp music spills out, rather than a raucous caw.
grins and laughs at him. “I knew you could do it, Jory.” She looks around the library. He’ll need perches, or several. She closes her eyes, and imagines several comfortable perches, and opens them, hoping they’ve populated.
ꙮ When you open your eyes, the raven’s smugly perched on one of the perches that now exist.
reaches up and offers something that looks like it might be a worm—but no, upon closer look it’s a curled scrap of paper with words scrawled on it. A secret, even. It’s a treat. “I’m hoping he’ll use you to hang around, so he doesn’t have to go through the whole performance every time. But if he doesn’t use you, well. You’re still lovely, and I love you.”
ꙮ The raven flutters down with grace that is utterly unsurprising to Salme, because what fiend of hers would not be possessed of great grace? He nibbles daintily, then with ravenous alacrity, at the curled scrap of paper, and nuzzles at her finger. Quirks his head to the side, in the way that birds will.
strokes his soft head with her finger. “You were made for the purpose of speaking and for the purpose of opening doors for those who seek knowledge within this library. And if you discover another purpose all your own? I will love that too. I left room for that, you know. You’re part of him, but also you are your own thing as well.”
ꙮ He quirks his head up, at something in that statement. Quirks his head up more, until he’s looking straight -up-. Arpeggiates mellifluously, with a flap of his wings, and then he’s looking -past- Salme, at the wall behind her.
frowns, and turns to look at the wall behind her.
ꙮ It’s… what the hell? It’s a bookshelf. Not one made of smooth blue planes and chalky lines, the sketch of a future bookshelf. It’s a bookshelf, old and expensive-looking, polished wood, well-loved but lovingly cared-for. The books on the shelf are an absolute riot of different colours, and they seem to -change- if you look away- from shelf to shelf, even places within the shelf. The titles are indistinct.
: “Oh. Well. That’s unexpected.” She moves forward and looks at the bookshelf, frowning. If she looks up at the Key-and-Gate, can she make any sense of the bookshelf out of the corner of her eye?
ꙮ No, but the saccades it forces you to do - you realise that there are certain invariants. Certain colours that always appear on the shelf prominently. A soft and gentle violet, a vivacious and enticing orange, a deep, familiar azure, a rich and shimmering gold, a vivid blood red, a lush and comfortable green.
frowns, and reaches for the deep, familiar azure.
ꙮ Of course.
ꙮ The book tips forward, briefly. There’s a pleasant click.
ꙮ The entire bookshelf then shifts backwards, a few inches, and sinks into the floor.
: “Hm.”
ꙮ There’s a door, behind it, with – a ten-eyed sigil.
: “Two doors seem a bit much,” she says. She reaches out to touch the door.
ꙮ Well, one of them wasn’t a door, it was a secret trick bookshelf, but I agree that this is all rather excessive! ⁂
ꙮ When Salme’s hand touches the door, she experiences a sudden sense of… possibility. That anything could be behind the door, when it swings open - gradually resolving, as she pushes it open - first, the same vivacious orange from before, a sense of movement, of branching paths - and then the door opens onto a cross-hallway with three other doors each at the end of their own small hallway. The floor is irrica, like the Liminal Library, but the walls are papered with orange wallpaper.
: “Why the orange? Is that supposed to be me?”
ꙮ You’ve got me by the ass, honestly.
ꙮ I have no idea.
steps into the hallway. “The azure would be Awoken, right? The gold would be Aurelius. Though the other colors feel. Confused. Maybe I’m not right about this at all.”
: “‘not up to anything’ my ass. First of all, Angels are not birds. 99% of the time. Secondly, what in the fuck are you doing?” Not a bird, just a projection, floating in the air behind you.
beckons to Jory, the beautiful raven to join her, and tells Jory, the shitty projection, “I don’t know what an Angel is, so you can’t blame me for not understanding, and I am obviously exploring recently opened pathways, Mr. Key-and-Gate.”
: “Okay but why is it here?”
ꙮ The lavender raven briefly considers attempting to sit on Jorule’s shoulder and then, wisely, decides to sit on Salme’s shoulder instead.
ꙮ Each of the three doors at the end of the cross hallway looks the same as the one you opened previously - a prominent ten-eyed sigil etched or burnt or - something, it’s hard to say - into the surface of the door - except that they all have ornate-looking keyholes.
: “CLEARLY. This space seems to run like 80% on intent. What were you thinking about that caused it to appear?”
leans down and tries to look through one of the keyholes. Any luck?
ꙮ Ooooh, that feels weird to look at.
straightens. “I was mostly curious. I was thinking about how I’d like to have an atelier somewhere, but not clearly.” She reaches up and pets Jory the raven’s head. “Any thoughts on how to open one of these?”
ꙮ Are you asking me or Jorule? Because if you’re asking me… have you tried all of the doors yet? They might not be locked just because they have keyholes.
: “Hmm… oh, because you saw 86 bring his fiend out of here. … Wonder how that would work with more mundane creations. Well. NIP said they duno what’s going on despite the uh, you know, telling glyph that would suggest otherwise but lets see. Hidden hallway that leads to locked doors with a ten eyed mark upon ‘em.” He shrugs, floating past Salme as one of his fingers turns into a key before it’s shoved into the keyhole.
ꙮ Unfortunately, that hurts like a motherfucker and it doesn’t even work. [1 Stress]
: “I was sort of asking both of you, and the fiend.”
frowns, pulls it back out with a shake. “Not even a roll, huh? Okay.”
places her palm against the door and pushes. Not hard, just curious.
ꙮ I mean, you absolutely turned your finger into a key and shoved it into the keyhole, and then the keyhole bit you.
ꙮ Weird that a keyhole bit you, but what part of this isn’t?
: “Right, no one was arguing that.”
ꙮ Salme: You can -feel- that this one’s locked with a heavy mechanism, when you push against the door. The second door, if you try it, will feel the same way.
: “Gunna assume that means ‘still under construction’ though, like… the vast majority of the internals.”
: “Well, then, the third door it is.” She backtracks swiftly to the third door. “Though, I get the fiend isn’t ideal but I was thinking you could. You know. Make comments now and then. Hang around with everyone. That sort of thing.”
stands in front of the door. “Is there another hallway behind this one or will it be a room? If I’m going to create something then I want to have the image in my head.”
ꙮ It’s hard to say until you put your hand on the door, but you feel like you’d have time, to form an image in your head, once you do so.
puts her hand on the door.
ꙮ It’s green. It’s so green. Lush, flourishing, comforting green. A cul-de-sac, a corner in which something might thrive. Possibilities flicker in the mind. Brief glimpses.
rests her forehead against the door and thinks, for the first time in a very, very long time, of home. Thinks of the little courtyard in the center of the house, where the rain would fall into a shallow pool and she would splash through it every morning and every evening. Thinks of her grandparent’s hands plaiting her hair carefully every morning, telling her she was the prettiest girl in the village, and what a nice lie that was. Thinks of the Centrelight at its brightest point, filtered through gauzy curtains or, sometimes, warming her skin. Thinks of stringing the warp-threads on the giant countermarch loom her grandparent wove at. The room itself, crowded with drop spindles, dyeworks, an entire wall of rainbow thread.
pushes the door open.
ꙮ You open the door, and the warmth of the light hits you before anything else - massive bay windows, looking out on the Centrelight. It’s utterly impossible, looking through the windows, to say -where- in Almachadta this might be; it seems like the idea of windows looking out onto the Centrelight, you recognise no landmarks. It’s a workspace - warm reddish wood floors and walls, expansive enough to work within. One wall covered in skeins of thread and yarn and enormous baskets of fibre and basins for dyeing and drying and places for blocking, with several spinning wheels; the floor on the other side dominated by a truly impressive countermarche loom.
: “Oh.” She steps inside. “Oh, I didn’t think … it’s perfect.”
: “Of course it’s perfect, you made it to your own specifications doofus.”
ꙮ I don’t know if that’s the case.
: “Or maybe it’s a kind of gift. Or a kind of miracle.”
ꙮ The Library feels like it’s holding its breath.
thinks of the crystalline perfection of the academy libraries—their well-ordered shelves; their neat, dustless crystals; their comprehensive, if baffling, cataloguing system. She moves her hands slowly, and as she does pellucid gnosis like crystalline wire weaves between her fingers. “First, the structure,” she says. ⁂
then draws up the flourishing in thick strands of gnosis like wool or roots. She thinks of stories and storytelling, parchment and palimpsest, the material of things and the roots and rhizomes and the mycelia that connect them all together. “Then, context.” She loops the flourishing threads over and under and around the pellucid threadwork girding her hands. ⁂
ꙮ The flourishing gnosis weaves easily, into the lattice-work.
next draws up burning gnosis, but controlled—candleflame, lantern-light, short-fibered cotton thread that gleams orange-yellow-golden. She thinks of the first story that brought her to tears, the last story that made her laugh, of truth and lies-that-are-truer-than-truth. “Next, meaning,” she says, interweaving the burning threads through the pellucid-flourishing mesh. ⁂
ꙮ And when the three come together as one, there is a weight to the working that suddenly attains- one Salme’s ready for. More than the sum of its parts - a holistic gnosis, if you will - held between her palms.
holds the narrow gnosis-tapestry between her palms and looks up at Aurelius, and she smiles. “And finally,” she says, looping her arms around him without disturbing the work held between her hands. “The impossible, which you have made possible,” and then she draws up to kiss him as she drops the tapestry from her fingers, but it does not fall, it ripples, rising into an impossible, unbroken circular ribbon before floating back, drawing higher and wider, to form perfect, polished teak bookshelves on each previously-empty wall.
: “Bam,” she says with a smirk. 🙧
ꙮ The chalk-and-blue not-yet-bookshelves fade into the genuine article, ringing the Liminal Library- while you’re in the room, you can feel their presence. The shelves are full of books– that are crystal rectangles, with carefully sewn bindings, and in the crystal structure are the flicker of flames and stars.
ꙮ The raven says, “Hello, I am Jory, the Liminal Librarian, handcrafted with love and care by the brilliant Salme who is always right about everything. We remember so you don’t have to!”
jumps back a half step. “…Wait you can talk too???”
laughs and laughs and laughs.
: “He has certain … stock phrases.”
Close your eyes, and open them again; something new will appear.
closes her eyes, and then opens them again, still grinning.
: “…Ah… that’s how…”
: “Well, there’s the secret hallway behind the bookshelf, but,” she tugs him over to the shelves under the Duelist’s Mask. “You can chronicle any memories you’d like for public perusal, any thoughts you have by holding a folio and thinking with intent, but.” ⁂
looks at crystalline book in her hand, and something makes the stars-and-flames flare in the book. Then, she puts it back on the Duelist’s Mask shelf, and the book disappears to Aurelius’ eyes. “You can also store things privately, just for yourself. I was going to get you a journal, but I thought—well, you don’t have to use it, but since you spend so much time in your own head it seemed like it could be valuable.” 🙧
takes a breath, and then gestures to the rest of the library. “And this,” she says, “is the Liminal Library.” All the walls that had previously held strangely flat blue walls with the suggestion of books in a strange white outline are fully-fledged shelves in a rich, aged teak. The shelves are stacked with what appear to be traditional books, but on closer inspection consist of two rectangular crystal slabs bound together with a spine of rich embroidery floss. Or, almost all the shelves look thus—the shelf that rests below the Key-and-Gate is a darker, richer wood, stacked with traditionally-bound books with bindings of gold, orange, lavender, red, green, and a familiar, stunning azure.
turns and grabs a book off the shelf. The crystal of the books is not the clear, boundless quartz of the Samudran memory crystals. Instead, the interior of the crystal seems to contain suspended sparks and starlight. The one in Salme’s hand has a binding that gleams with a glowing, pulsing purple. “This is one of the only complete folios so far. It’s called {Speaking With Constellations}.” She offers it to him.
ꙮ As Aurelius steps into the Library to take a look around out of mild, personal curiosity, he notices that the wall that had previously been weirdly blurry is no longer blurry; instead it’s got a big corkboard hung up with a bunch of thumbtacks made out of a shiny crystal pinning a bunch of crudely-drawn pictures to the board, a bunch of illegible or possibly just magical notes, with red strings connecting various of the thumbtacks to each other; all of this surrounds an armature built around one of Synthesis’ pearls. If you try to touch anything, Jory the Bird squawks indignantly and your hand is gently but firmly shooed away.